Thursday, May 1, 2014


                                  Getting Loose! 


A new, intense workshop series by Kitty Wallis on alternate weekends beginning June 14th and 15th.
Choose any of the 6 weekends or attend the whole series. These workshops take place in my studio and are limited in size to 4-6 students so reserve your place today.

Please take a look at the linked document for a full description and schedule of my new workshop series. These workshops are all designed to guide you into expressive, energy filled work. I believe getting loose is not about abandoning the quality of detail in your work. It is about letting go and harnessing your talents and your confidence while gaining a relaxed focus that allows you to trust your stroke. I will give you fundamental tools that will help you grow for a lifetime.

Have a conflict with one of these dates? Not a problem. Just get together with 3-5 of your friends and schedule your own private workshop for the same price. Call me to make arrangements.

Thursday, August 29, 2013

Making Illuminated Pastel Sticks

Illuminated pastel sticks

Think of the wall of a house painted one color – flat.

Now imagine the sky just after sunset.  You can see the colors in the air – there's a sense of space.

We can get this sense of space by using illuminated colors.

Here is how:
1.     Pick out two colors of the same value.  For those who want an example, I used Terry Ludwig's dark green G520 and dark red R170X.  This made a stunning, glowing shadow color.  

2.     Crush each color separately into pieces like small cracked pepper.  Do not turn it all into powder or leave in pieces larger than a grain of quinoa.   I put the stick in a fold of paper and roll a rolling pin over it.  Open the paper and rearrange the pieces in a thin flat layer to expose the remaining larger pieces to further crushing. Fold paper and roll again until stick is crushed evenly.  Repeat same operation with second color in a separate paper.

3.     When both are crushed evenly combine them by gently stirring them together on a pile of 3 or more paper towels.  Spray with water in a mist, gently folding the particles over and over inside the towels until all particles are wet – not soaking.

4.     Bring the paper towel over the moist particles and push them together, including all the bits stuck to the paper towel.  Do not knead the colors into a lump.  To succeed with illuminated colors, the colors of the particles must remain distinct.  Firmly press them together. 

5.     Form into a stubby stick, 3/4" in diameter.   Be careful there are no wrinkles, cracks or spaces in the stick.  The nature of these sticks is weaker than regular pastels, they cannot be made too thin or they will break when you use them. 

6.     Set the stick aside to dry.  If you like to use a dehydrator let them sit for 24 hours first. The particles need time for the binding agents to interact with each other while still wet to form new bonds.  They are dry when no longer cool to the touch, like laundry.


The procedure is simple, but choosing exactly the right color is very tricky.  It took me 10 years to suddenly realize the power of my illuminated colors when correctly matched.  Certain combinations fall flat and others are fabulous.
Stay tuned here for some recipes for specific illuminated sticks that will amaze your eyes.
If you have colors in your studio that were disappointing and you haven’t been using them, post the brand and color number on my facebook and I’ll do my best to make you a custom recipe!

Coming soon:
Making your own set of Illuminated colors. 
Learning about values
Recipes with 3 or 4 colors



Tuesday, July 17, 2012

July 13-15 Plein Air Color Intensive.

Debra and me with her pastel

Three days of color study outside where the real color is. We studied color, values, temperatures, mixing and pigments.
We painted in the morning and worked in the studio (air conditioned) in the afternoon.on our color studies.  On the third day we switched to a larger format, painting all day.
We worked all three days on one site.  Under-painting the first day,  applying pastel the second and switching scale the third.    Most of us worked in pastel.  One student did it all in Acrylic.  I've never asked my class to stay with the same subject for 3 days.  It was a great idea.  We were able to go into depth on all aspects of color.


Friday, September 30, 2011

'Waterfall'

'Waterfall' 36"x24" Pastel on Sandpaper

We painted at Crystal Springs today. Although it was predicted to be cloudy the sun shone all afternoon. It was a beautiful day.
Thanks, Celeste, for this photo.

Sunday, September 18, 2011

Park

'Park' 18x24. pastel on sandpaper with a pigment dispersion underpainting

Furthering the quest for expressive work
I was forced, by being unprepared, to sit down with this subject. I wouldn't have chosen it. I was in the mood to paint water. (when am I not in the mood to paint water?) I was happy to find that my paintings are not so much empowered by subject choice as they are by what I do with the subject. I didn't even realize how good this was until I got over my frustration. That took a whole 24 hours and many positive comments from viewers.

Deleted Oil practice phase.

I just deleted all the oil and acrilyic experiments. Vanity? Professionalism? I couldn't bear to be represented by all that mediocre work.

2012 Class schedule

My Class Schedule for 2012 is up. I'll be adding times to the color classes when they are set. I have some information about lodging as well. Please let me know if you are interested.

I kept the price low since artists aren't flocking to classes these days. There will be a small additional model's fee for the figure class.

Friday, September 2, 2011

I'm back to pastel

'Light Corridor' 36"by 24" Pastel on sandpaper with a wet pigment underpainting. Plein Air, done this afternoon.

I'm back to pastel. My first love. My explorations in oil and acrylic taught me that I already am where I want to be. Loose. Expressive. Looking forward to a whole new body of work.

Sunday, June 19, 2011

Portrait demos at IAPS

























We attend the International Assoc of Pastel Artists trade show every other year. It was in Albuquerque 6/2-6/5 2011. I look forward to it. We set up a booth and I do Portrait demos to show the artists how I handle my underpainting and pastel technique on my Wallis paper.

I like to do 1 hour portraits of those artists attending who are willing to spare the time.
The first one is Dawn. The next one, showing the underpainting and the finished portrait, is Connie.

I wish I knew how to do a layout on this blog post thingamajig. I would have put the underpainting before the finished piece. But it's what it is.

I have a few more I'll post later.

Thursday, April 28, 2011

My new drawing class worked.

I taught my new curriculum last weekend. I was higher than a kite for days afterwards. It worked even better than I hoped. Here's one student's feedback.

Thanks, Barbara, for sending me your response to the drawing intensive. I appreciate you.

Hi, Kitty--
I went to Hipbone today for the first time in a few years. ... Compared to what I was doing at Hipbone the last time, today's drawings are leaps and bounds better than those. It's all due to that workshop, Kitty. For the first time I liked my gestural drawings, and the foreshortened long pose actually got some good words from Jeff. For the first time I covered the paper with the drawing instead of sight-sizing the model onto the paper--I knew how to do it!! It was FUN, I was excited, and I like what I came home with. There is still, of course, a long way to go but your workshop vaulted me over into the high-speed lane and learning should go on as long as I work with the lessons you taught me. Many many thanks--again--for your patience, your knowledge, and your dedication to passing on what you learned so long ago. We are all so grateful to you!
Barbara

Wednesday, January 5, 2011

CPAP success

At the sleep center last night, although I didn't sleep much, 3 hours, the doc pronounced me well wedded to the machine and all signs are go. Who can sleep in a doctors office? Even if it is disguised to look like a motel room.

Back to the easel.

Saturday, January 1, 2011

I now check my gmail



I now check my gmail
You may also use my email address: walliscorp@yahoo.com

Wednesday, September 8, 2010

Jack

Pastel on Sandpaper with an underpainting of wet pigment. 36"x28" Ala Prima, done in 95 minutes with an audience and while making comments.

My favorite portrait to date. Everything worked. Jack was a perfect model. Have you, when doing a portrait, had the sense of interference on a vibe level, coming from the model. I believe some models are compelled to attempt to control the process, although I don't think it's a conscious impulse. Sometimes I feel it so strongly that I can hardly see the model. Jack was the exception that proved this is true. I was relaxed and free while I painted him. I learned to identify this interference and, I hope, to be able to deal with it with more awareness when next I encounter it.

Monday, May 3, 2010

Boy! I'm Good!


I hung a show today.

After spending the last 15 years making Wallis Paper the success it is, while taking the opportunity to drop out of showing and search for the next level in my work; my breath was taken away by how good the show looks. I wish you could all see it. In my time of hiatus, I have continued to grow. I am happy and proud.

The show is at:
Lexus of Portland
8840 SW Canyon Road
Portland, OR 97225

May 3 thru May 30
Sun 10:00 AM-6:00 PM
Mon-Fri 8:00 AM-8:00 PM
Sat 9:00 AM-7:00 PM

There will be a reception at my studio
10915 SW 37 Ave, Portland
May 8th and May 9th 3 to 5 PM
See what's on the easel now.

Friday, March 19, 2010

Waterlilies, 24"x36" watercolor underpainting and pastel on sandpaper.
A very hot July day at Giverny, standing on the bridge in the full sun, doing just the most essential parts, no finishing, no unnecessary detail. I learned a lot about less is more.

Thursday, January 28, 2010

Giverny Spring

From my painting trip to Giverny.

Sunday, December 6, 2009

Playing with color

Our painters group is working on a winter project. You can see the work at http://subjecttointerpretations.blogspot.com/ Every 2 weeks a new photo reference is posted and we are invited to post our interpretation of it. I'm having fun using colors from my imagination. In this case, changing a gloomy day into a vivid nocturne.

Tuesday, November 24, 2009

Happy Thanksgiving

To celebrate Thanksgiving, my favorite holiday, here is my painting of family love.

Friday, November 20, 2009

Chinese Fishermen

I'm posting this to celebrate the year of figure drawing we just completed. I'm proud of those who stayed with it. and I'm proud of the curriculum. I will do it again, but not for awhile. First, I'll see how it shows in the work of my students.

Wednesday, November 4, 2009

Portrait of James

Beginning the underpainting with two yellows. I like to use primaries in layers as I study the subject and the color. Yellow is easiest to start with since it is a the lightest in value. Then red, then blue.

I do an underpainting in pigment dispersions. To find out more about this pigment preparation, go to Guerra Pigments.
When the underpainting is dry, I continue with pastels





















with some pastel marks




























James, 22"x 17" pastels with pure pigment underpainting, on my sandpaper.